Starfinger - Cool, of course. The choruses are a litle waily, I guess - not out of tune but liek a mockery of hi-energy singing, I'd lieka few more words. But the warmth and pleasure pouring out of the speakers is something you're vrey good at capturing - there's a child-like joy of tooling around in a studio here that makes me smile. Good work,
The Reese Witherspoons - starts out like CEOT3rdK. Awesome early Cabaret Voltaire sound (with added orgasmic female vocals for added good effect) I like this a lot. This really the sort of music that gets me going
Bill - Wish the vocals were more forefront. In fact a little master of this would make it cool, but I shouldn't really talk about production. I love the groove, the way it sounds really fragile and yet funky at the same time.
Bjam - yeah cool. nice tone. If you were gonna re-do it I'd have a double harmony vocal on the chorus going high to really contrast the dips and swoops of the melody at that point. maybe the guitar could be EQ-ed to take out a little bit of the mid as well. but a very pleasant listen as always. Although I appreciate the end I think it would be better served gridning to a halt at 1.30. I like the sped up little voices too. A few more (maybe one or two more) dotted around just for the 'wha the f*ck' value.
Future Boy - Ahhh. Pretty. I wonder how you always manage to sound so camp when singing about women

This is good lounge-bar stuff, as the chairs are going on the tables and the drunks are slumping on their paper beermats, swizzle sticks snapping under their weight. Hoorah for mood.
Roymond - fantastic opening. This is bonkers and I love it. the ever shifting dynamics throw me off and draw me in simultaneously.
Caravan Ray - This is very structured for an hour - I am impressed. Gutiar tone ehre is betetr than some of your SF entries - not as heavily distorted and therefore bassy, which gives it a lightness which carries along the bouncing mood. Damn on the sudden end, mind!
(assuming this is Plat) - wow. That's cool. I like the apathetic sha-la-las very much, while simultaneously wondering whether the song would be better without them? 'One-handed model friends from the showdown'? Cool image that almost makes sense

Impressive. You should some high noodly elec guitar on this and it would be plat-perfection. The change at 2.00ish comes at just the right time, and is great. I'd like to hear that twice in an slightly extended version of this. End is brilliant and puts the song in place.
TVIYH - heheheheh - cool mandolin-ing! I normally don't klike mandolin because it's such a stubby tone but you carry it off here very well, it kind of compliments the simple, charming mood of the song. I don't think tuning counts as part of the skirmish hour

Ending chords should be looped at
Jason - my favourite part of this is the 'urrr-urrr' bit part. I think there should be a songifght kid's orchestra - it would take over the world. Smile smile smile! Oh and 'Jayyysssooon' is cool too!
Bolio - Nice bass groove. It's like you're playing in the same after-hours bar as Future Boy. This is incredibly imrpessive for an hour. Hammond organ always get a big tick from me. The bass-end is slightly dominant but not in a terribly distracting way. Would sound great as the incidental music for the scene in a movie where the hero is trying to get together the requisite parts for his heist while simultaneously his estranged girlfirend/wife is hanging around the house, worrying about his safety.
There's so many here to vote for. I think Roymond gets it for me, with The Reese Witherspoons for the music, but the words make me blush. (PS I don't have sex with dogs, dogs have sex with me!)