Nah, its cool... old timers don't necessarily all get up and hang out while other songfighters are on stage. It happens, some people miss other people's sets...sometimes because of arrival times, sometimes because somebody has to eat...but there is no collective club that up and leaves while others are playing. Generally speaking, the events are attended by all who made the trip.Paco Del Stinko wrote:As a relative newcomer here, the Santa Cruz show was the first organized while I was paying attention, but I wouldn't have dared think about playing after only a couple of songs submitted. I'd love to play at a live event, and I mean play, not torture anyone with my vocals, but don't really feel as if I am part of the club. I understand and respect the bond between old timers and would love to see them play, but I wouldn't want to travel to X and have the senior class members all decide to go out for pizza when my turn came up, even if/though I suck. If anything, Dre, perhaps there's too much inbreeding.I'm not attacking you, Hoblit, but what does this mean? Who would determine that?Hoblit wrote:IF the most of the artists are of solid quality
What I mean the artists of solid quality... experienced, generally good performers. Entertaining. Yes, its subjective I know. I'd prefer renting and setting up the show ourselves. The Lancaster show, the Boston Shows, as well as the Santa Cruz shows were great for this reason. (Austin & Atlant were pretty good too I might add, although very hot!) The Seattle show was fun. But I can't pull that off and then hope to ever schedule a show at these venues down here again if the show doesn't generate some money at the bars, and more importantly, not chase away current patrons at said bar. Just note that this scenario ONLY APPLIES to a commercial venue. There are places we can rent (and if I'm not mistaken, still welcome walk-in traffic.) where we wouldn't have to worry about a semi-par performance deflating our chances of holding over for another smash weekend. (if you get my drift)