No. I meant you should do it.

ah dammit, here goes
A-log: 1st thought – this is Rone-tastic. Maybe one day that will be a compliment, but that day is not today. The beat is definitely an improvement to the metronome; this almost has a disjointed wacky charm but your vox are too badly recorded and delivered. More beats and notes and stuff. Samples are fun but feel a bit out of place.
BJAM!: your voice sounds really good here, and there’s a couple of good hooks. The percussion is awesome. Not my style but a good song nonetheless.
Chuckchuckmoose: It’s like a cross between sleazy lounge music, 70’s film soundtrack, with R&B vocals. Kinda cool; but I’d prefer it with some funkier drumming (I watched Dirty Harry again last night and the drummer on that soundtrack is what you need), less chorus on the guitar and to sing more like either Tom’s Waits or Jones and less like Will Young. Pretty good tho
Jonas: Once again, pretty cool. You finally turned the vocals up, I still think that main synth could come down a notch or two. I quite like this.
Dark liberty: Right, I’m imagining real drums for you and it’s kind of working. If you scrapped the verse and the chorus, and kept those other weird bits and built them up and added some guitar noise and chugs this would be great, this was boring me a bit and then those bits came out of nowhere.
4th DR: I’m really not sure what to make of your stuff, because if one of my friends had done it I’d probably tell them I thought it was cool, and yet listening to it here I think it’s pretty good but there’s something missing. If i figure out what it is i'll let you know
Hot tub combo: for some reason I really like this, it’s like you’ve managed to capture the whole joy of making music with just the right type of dodgy recording. Really loud VU style drums, reverb drenched piano and yelping vox desperately trying to hold it all together. If it were shorter or had a really cool middle 8 or something it would be ace.
IPA: Not bad; sounds more like 5 nights in France. The shambolic arrangement is really cool. The song doesn’t seem to develop enough tho. It’s good but there’s no payoff.
Jessecooper: Nice jazzy feel to it, almost like Jack Johnson, but ultimately I think the vocals suffer from the same problem as with Chuck chuck moose. But that’s more of a personal taste thing so…
J$: It’s funny cos I usually try to write songs which get by with as few words as possible, whereas you like to squeeze small novella into yours and it’s cool. This should win just for the quintessential british-ness of it, but it’s good in it’s own right, great solo. Now I want to listen to Mr Pleasant. (in fact we should’ve swapped lyrics cos you mention blackpool and mine sounds like it was recorded there).
Klownhole: funny blend of stuff you’ve got going here. It wants to uber-rock but the keyboards are reigning in the filth and adding some kind of fairground-cathedral feel. Fine howling.
MC Friend: This could use a phatter bass sound. Vocal delivery is alright, but some of your lyrics are quality. Not sure about the penis as a prism line, but I don’t like Mel Gibson either and all Americans should drink Guiness when they come over cos then they’ll stop whingeing about being hungry

. Yay
Melvin: yeah, it’s like you just pressed the nitro-ballad switch! That outro is IT. Well done.
Motor monkeys: hey, not my thing but I’m sure many a pub would happily be rocked by this.
Mrmananddrfunk: oh man, this is good and all but it lacks some important points. 1) no freaky intro 2) doesn’t smell like pot pourri 3) no duff notes 4) uses a drum kit instead of cowbells and maracas. Maybe I’m being unfair but I like shit music so there.
Sonofsupercar: All the usuals here then, guitars, drums, nice bit of feedback, and yet somehow its totally unique. This seems so miserable and yet full of character; I really like the way the vocals go form a bored mumble to a creepy wail. And the louder you sing the further off it seems. Coolio
State Shirt: Sounding good so far, very shoegazey – but in more of a Jeff Buckley meets Haven kind of way than proper shoegazing (which is definitely not a cuss). Ultimately though, like most bands of that variety, I think perfecting the style has got in the way of writing a really good song. It’s not your fault, I don’t think that big epic music needs words really. That’s why Haven will never be as good as either Explosions in the Sky or …
Steve gamble: who’s got some cool lines and can squeeze in some silly one’s cos the tune doesn’t take itself too seriously. Apart from the fact that you’d never meet any of these people in England, the Moz line was bloody great, and then I saw Liam Lynch and he was all like “you totally stole my ideasâ€