by Jim of Seattle » Wed Nov 24, 2004 11:45 pm
I am hereby logging an official gripe that we are being pitted against songs which have already been in a previous fight. Not fair! I don't like it! In protest I'm not going to review them since there's no telling if those people are even around anymore.
Bjam!
Kind of fun. This is a solid little song, nicely played and recorded, and the idea of a "dad" hating the music is funny. I like how you never came out and said "Hey everyone, this is a girl and her dad" or whatever it is. I have a little problem in that only the lyrics communicate the story to me. The girl doesn't sound like a teenager, and the dad sounds like a guy singing low so he'll sound like a dad, but there's nothing else in the music that communicates that to me. Still, it's a fine effort.
Caravan Ray
I love the funky Midi beat, and the robot voices are used in kind of a cool way, but I can't get past the roboticness of robot voices in songs with robot voices. The robots aren't communicating to me how cool the song is. Since there's no telegraphing of the coolness of the beats and all, it's a little cold. But I kind of like this anyway, because the basic funky beats are so funky.
Carol Cleveland Sings
I mistyped your name above, and it said "Carol Cleveland Sins". I thought that was kind of funny. Anyway, the lead vocal distortion does you in here, partly, and the insistence on bucking conventional syllabic placement. But I know your work well enough that I know that was on purpose, so I'm going with it. The song is cute, but pretty schizo. Third time through listening and I'm still not sure where you're going with it. It ends up playing like a pleasant collection of CCS-esque moments, nicely performed, but ultimately not adding up to a complete thingamajig.
The Jazz
Yes, I got that you're playing A, B, C and D in your poopy synth melody. Good idea, but the song is just sort of goofing off, as I'm sure you know. Not enough real work put into this. Sounds like half an hour's effort.
Joshua and Lorrie
Meh. The joke is sort of mildly amusing, but you repeat the same joke basically, over the same chords, sung without a lot of effort. Not very interesting.
Les Dipthongs
This starts out great, and I think I'm in for a jealousy-making good time, but it gets pretty old pretty quickly. There isn't enough musical material to last for 3:30. Maybe if I understood French there would be a good story there. So it gets pretty boring pretty quickly. But there are some nice bits here, repeated a few too many times. I started typing the band names of the upcoming songs I'm going to be reviewing because I was bored but didn't have the heart to simply skip ahead.
Nihilistic Carebear
Songfight Junk Collection of Noise #308
Roymond
The first and last parts are really great, but the anarchistic middle section is unnecessary and I lose the groove. Bummer. Without that I'm all there, man. We sort of had the same idea for our lyric, making the title sound less absurd by juxtaposing it with more nonsense lyrics. I also love your Snakefinger-like guitar solo. The second and third times through I skipped through the middle section. I especially like that heavy heavy heavy bass drum.
Vanilla Dragon
WAY too much reliance of the drum beat to carry the day. The drums are sort of cool, indeed, but not as cool as you seem to think they are. Everyone else is using dog barks too, and so your beat and dogs and simplistic melody aren't enough to distinguish you among the others.
WreckdoM
I liked the randomness of the comments, and I liked that you established this childlike persona and stuck with it all the way through. But that's about all there is here. I like what you got, but song-wise it's pretty lacking. Again, I'm reminded of my own song in your use of non sequitir lyrics. Ha.
Mine
This wasn't supposed to be a song. I literally turned on the sequencer, played those 4-5 chords on it, hit Save, went upstairs to do the dishes, came up with this melody and lyric, and then thought "what the hell". After that it was a really really fun week of adding instruments, recording the choir vocals, and messing with EQ and reverb and arrangement. I had a total blast with this song. Whether or not it gets a good response, it was some of the most fun I've had putting together a Songfight song since I came around these parts. And no, the lyrics mean nothing at all, for those of you insisting on finding meaning in them.
I have a very old web site. Many links no longer work. It's totally pathetic.
JimOfSeattle.com. Please cause it to be checked out by you.