Billy's Little Trip - This rocks. That said, the guitar tone sounds a little hollow and I can't hear the lyrics. Best rock lyrics ever: "Should have listened to your mother."
Dublin Duck Dispensary - Can't hear the lyrics. More treble please. Good concept, but the guitar seems to lose time against the vocals at times. Tap that foot a bit and you're set.
Flvxxvm Florvm - Good use of 12-string lead. Affected southern accent doesn't quite do it for me, neither do drum machines. Interesting addition of electric guitar. I'm not sure how well it fits in, but it serves for good contrast. Ok, I'm pretty much done with this at 3:00.
Four Zombies and an (Ass)Clown - Lame.
Hello Blue Monday - Vonnegut's up in heaven now. Really digging the lo-fi recording, especially with the keyboard lead. Not the biggest fan of the vocals, but the hiss pop of the recording takes me back to the days of the four-track 1/8" cassette tascam (in a good way).
Jeff Travis Henderson - Raise that guitar a little in the mix. I like. Not a big fan of the doubled vocals. I'm feeling maybe a little more joy division kind of stuff- use that baritone to your advantage and throw a little reverb on rather than phasing. Cool backup vox. Oooooh, tempo change at 2:04! I like. Maybe if you faded out on that badabada section at the end rather than just ending. Total possible vote.
Klownhole - I'm liking this. Spookcore. Vox clear. Guitar tone a little muddy and the drums don't sound blended enough into the rest of the music. Like, your bassist and guitarist and vocalist are all rocking out and then the drummer is right up front here looking at me funny.
Lord of Oats - Must resist tapping toes and bobbing head. Lead synth sounds flat to me by a couple cents. You're lucky that those songfight titles tell you to get up off your ass and record. To me, they say things like "you've got too much work to do this week, don't do it," "you can wait 'till (day fight is due) to record it," and "go study for your GREs. now." I guess that's what separates the wheat from the chaff. Titles call to the wheat. To the chaff, titles are the voice of responsibility.
MC Eric B - Cool beat. Walking into the dance club over the weekend, I told my date "this is where people go when they run out of things to say." Chorus a bit cliche.
Melvin - I like the feeling of this. Great harmonies on the chorus. Good guitar tone. Warm yet crunchy. Tambourine is a bit off, but OH YEAH ORGAN TIME YEAHHHHH!.
The Rappers - In answer to your questions: You won't rock me much at all. I won't give you much either. This reminds me of Nice Pete's band, Mister Band:
http://www.achewood.com/index.php?date=12262006 Except your stuff comes from the bible, which, while a superior book, makes for lousy spook stories. I mean, they pretty much gave away the ending for us in the last chapter.
Of Science and Numbers - Solid. Tight backup vox. Good chorus, though the lyrics are on the meh side.
Paco del Stinko - Good tone awards to the whole band. Tight and solid. I'm not going to write much here, because I have no criticism. I'm just going to spend the next 1:30 rocking out, if you don't mind. Love the descending bassline.
PiGPEN - Intro's a bit long. I'm not really one for repetition of lyrics that don't bear repeating.
Puadxe - There's that garage sale horn. Swamp bluesish. I like.
Ralph Makes Music - Vox are a bit wet, but I love the guitar. Reminds me of those doleful banjo ballads. A bit heavy on the Shel Silverstein, but that can be forgiven as I loved his books.
Senza Valore - Good to hear you back. Loving the loops. Vox much improved. Very loungeish, but in a good way. Lyrics are great. Conversational, uncontrived. Great song.
Steve Durand - You had me at the horn section. Lyrics don't sound up to the quality of the song, though. The melody's fine, but the meter sounds off- forced syllables on the front of lines and the like. Still, possible vote.
Suburban Bear Quadrant - Instruments sound too mid/bassy. Vox too treble-y. I don't know if the metal voice is appropriate in situations such as the settling of checks at McDonald's. Oh, this is parody. Ok.
Vegetarian Rage - So many songs this week that rock, and yours is certainly in the vanguard, if only because you open right up with the B3 in there. Solid rock. Can't ask for much more than that.
The Weakest Suit - I'm really digging this. It's saturday evening porch noodling at its best.
The White Hat - Vox down a bit. Sharpen the guitar. Resist falsetto temptation.
Submitting now from the rural backwoods of central Pennsylvania.