by TVsKyle » Tue Nov 27, 2007 4:31 pm
Wow, homies. This is both the best and the longest fight I've had the pleasure of reviewing. Let's get to it:
The Bewells- Do they still make songs that sound like this? I haven't heard one since the closing credits of some movie from the late 80s. You do some nice playing on this, but it's cheapened by that weaksauce drum loop. In this age of easy-to-obtain free drum loops, it's avoidable. It's actually not a bad sound you've got, but there's no hook.
Thanks for the Frisbee & The Swingset- This is a tough one. It's a well-written song, but productionwise, it's filled with a bunch of sounds that fight each other at odd levels and not always on the beat, especially in that solo section. (Yeah, I factor in production. A good artist knows how do make do with limited recording capabilities.)
Caravan Ray and his Performing Loin Fruit- Man, this is fun! A good sound in general, but it could use some more clout when it builds up. I don't know if I can vote for something this simple, but it is the best so far.
Dan Plus Add (no relation)- Guy with guitar, therefore you've got to rely on songwriting alone. You fare better than most would with some rather nice musical ideas, but there's far too much repetition and I'm bored by the two minute mark with nothing to break up the monotony.
Klownhole- Hold on, let me turn my volume down... there we are. Not bad, actually, but I've heard far too many songs that sound just like this-- Ever see Clone High? Ever see the one where Jack Black has everyone smoking raisins? This sounds like the song from that episode minus a real hook. Good God that organ sounds great, though. I'm such a sucker for that. I have to admit, this would be fun live.
Mockpuppet- Let me turn my volume back up... theeere we go. Ah, it's one of those neat building up electronic bloopy songs. Save for that nifty little beat, there's sadly nothing to separate it from the pack of songs like that, but it's perfectly competent.
Reïst- Competent rockin' sound, though nothing new. The production ain't bad save for the vox. The quality of the singing is fine for this type of rocking, but it needs some sort of effect. The rock is just burying it right now. Nice shredding, man.
Blues Manufacturing Facility- Well, you have succeeded in having a sound all your own, and that's to be commended. Whiteboy zombie inmate blues rock may or may not ever take off, but I wouldn't mind hearing it attached to more inventive song writing. I like that crazy sounding thing at the end. It would've made a nice solo.
Chonny- Turn up your rhythm section, man. These are super-neat chord progressions. Don't sing in unison if you're gonna cause a bunch of discord like that. I mean, it almost works in a Frank Zappa fashion, but you ain't Frank Zappa. What, it's over already? Too short! You've got me going with a nice sound and you just yank it away like that? You just touched me in the morning and then just walked away!
The Weakest Suit- Hi, guy with guitar. You're sure droning. Play twice as fast and we'll talk. Until then, you are The Weakest Suit, goodbye!
MC Eric B- Wesley Willis? I actually don't mind the lyrics, but they're not not clever enough to handle being... chanted like this. They need singing. And playing. And effort. You're totally invited over to play Wii at my place, though.
Seventh and Main- This is a mess, but it is fun. That banjo adds something unique. Do try to stay awake when you sing, though.
Dynamic Rhythm Device- Excellent vocals right off the bat. I wish you'd dominate with that guitar more so the workload doesn't have to be handled by that awful bass sound. Does that thing go down an octave? Big Sandy and his Fly-Rite Boys might've been able to do the same thing better, but this is a valiant effort, for sure.
Max the Cat- Hey, it's one of those aforementioned building up electronic bloopy songs... without the buildup! It's an interesting study, but I wanna hear some song writing!
Punglect- Ever turn on Cartoon Network and see something live action that, however interesting, isn't a cartoon? This is an interesting sound design exercise, but this being Songfight, I'd like a song.
Steve Durand- Nice sound! I might've gone back and forth in and out of the harmony vocals more often to break things up. Hey, a sax solo! It might've been nice if the accordion did something more than droning the chords as the song went on. One of the better ones, though.
Asteroids 57801-57900- Nice riff. Odd tendency in several entries in this fight: Doubled vocals that would've been better off not doubled. Your song is stronger than your performance, which could use some tightening. Those are cool drums, so try to keep up with them. Rest assured, though, this is a strong entry.
Eddielance- Why are people chanting this week? It would've worked better here if it was done more naturally instead of the weird effect you tried to speak with. Dammit, I wanted a song, not a poetry slam entry.
Mages- Another needlessly doubled vocal crutch? More sleepy vocals? More level issues with buried drums? I do appreciate the variations in mood, but... c'mon... wake up. Interestingly, the same song with some conviction might sound a bit like Everlast, which is in no way a bad thing.
Burritos in Space- I want a SONG.
Bizarro Eric MC- Ok, I'm clearly missing part of the joke since there's a connection to the other song, but this sounds pretty cool. With some livelier vocals, this would've been an iPod keeper for me.
King Arthur- Ah, is it time to slow dance with a beer in my hand? Sadly, I don't drink, so I don't think I'm quite the guy to judge this one. There's some excellent guitar work and some nice production in general, but even within the genre, more variation would've been nice. It's also about a minute and a half too long.
Wages- Hi, guy with guitar. This is competent, but I got tired of everybody ripping this style off each other in the 90s. Blonde college babes still like it, though, so you should probably ignore me and enjoy the inevitable makeout sessions.
Mexican Chimpanzees- This is the type of vocal liveliness I wanted from Bizarro Eric MC. Your rapping is just fine, but I've never wanted to hear someone rap over a Freezepop ringtone.
Mime- The intro lead me to think this was going to be Do the Bartman. Sadly, it's muffled rapping and sleepy singing over other painfully soothing noise instead.
Hillbilly Buffalo- Hi, guy with guitar. I like your Pavement-meets-early Beck vocals, but this is far too repetitive for comfort.
Svën Müllët- This would make a great WWE intro. This is nice, tight rocking that I may find myself humming later, but it brings nothing new to the table and I think I'd have liked it better with some vocals.
Melvin- Strong riff to start out with! Nice & tight with production that matches your style. Thank you for all the variations and having a bridge that matters. I may vote for something a little more original that doesn't work as well as this, but this does work well.
Ross Durand- Good lyrical direction! It doesn't excite me since it's fairly textbook folk, but it IS good. Nice pickin'.
Sockpuppet- Ohhhhh, owp-owp. (Chick, chickachickaaaaaaaah). I'm about a minute in. Shouldn't the song have started?
Lord of Oats- Get better drum loops. Don't make the rhythm section do all the work. This is ok, but there's nothing to set it apart.
Contenders: Ross Durand, Melvin, Bizarro Eric MC, Asteroids, Chonny
In the end, Melvin did far too much right for me to not vote for 'em.