Re: Merde! (The Only French I Know Reviews)
Posted: Tue Sep 27, 2011 10:39 pm
Ah! Finally, the reviews nobody has been anxiously waiting for!
King Arthur
While hearing the word "vietnam" in a song tends to make me glaze over, this is a cohesive story song and I like the way you delivered it. "Au revoir America" to open the bridge -- the lyric and the delivery -- sealed the deal for me. Drop the swearing at the end, and add more instruments, and this one is a keeper.
Obese Chess
The opening accordion and guitar were so much fun! And then...nothing. Such a shame. If you had taken that accordion and built on top of that riff, I think you'd have had something. Although not lyrically. What do you sound like when you sing?
Berkeley Social Scene
Love the meandering synth, so sweet and endearing. It makes the song for me. Whoever is singing -- is that Ken? -- is singing too high for their range, and I should know, because I do it too often myself. It also goes on too long for my taste (says the guy who only writes songs under two minutes.)
Minty Handy
I bet I would have liked this better if I'd finished it, except that I pushed the Beatles thing way too hard, and now I have learned not to do that, so that's something.
Billy and the Psychotics
If there's one thing I always look forward to, it is your guitar playing. What's breaking my heart is that the timing is so loose across the board, and I just can't get past it. My own shortcoming, really. I like the vocal as much as I like the guitar playing, which is a lot! "The cherry pie" bit didn't live up to the rest of the lyrics.
Juliet's Happy Dagger
There's some kind of fundamental disconnect here between the chords and the vocal melody, it just doesn't quite align, almost like neither of you have a specific melody in mind. Sorry if that sounds harsh. The instruments sound nice, though.
Torrentz
This is what I was trying to describe when I wrote Obese Chess's feedback. It's all pretty terrific, but...but...I guess at the end of the day, you are all having a lot of fun, and it works so well most of the time that it really jumps out in the moments that it doesn't work...that's supposed to be a compliment, I think! Sunny, 10% chance of WTF.
Elephant Kitties
This is, hands down, my favorite song in the fight, and deserves to be the runaway winner. There are only two things I would change: I would have liked it better if I had written it (heh), and I want to pull the male vocal way, way back...not because it's bad -- it isn't -- but because the female lead is the one we want to hear, here. If you had faded the male vocal into the background, so that it supported the female voice instead of joining it, I wouldn't have been surprised to learn this had been produced by Regina Spektor and released by a major label. If you actually take my advice, please send me a copy of the revised recording for my personal music collection.
Johnny Cashpoint
You always sound like you, which is always good news for me. Oddly, though, this recording has really uneven timing, and a beat that's much more plodding and awkward than what I'm used to from you. With timing fixes and some of the downbeat moved to the upbeat, this would have worked better. Ooh la la.
Paco Del Stinko
Tight, well-delivered, great backing vocals in the chorus; the only thing missing here is a hook long enough to hold onto. Oh, oh, oh how I wish the "ooh la la"s were the start of a chorus four times as long! The verses are extremely weak by comparison. But your lyrics make me laugh, and your sincerity is charming. Oddly, the choruses -- which again, I love but wish were much longer -- make me think of "Rock 'n Roll Creation" (Spinal Tap.)
Hostess Mostess
If I could change my voice to sound like anyone I could, it would be to sound like yours. There's something about the quality of your voice that always satisfies on some deep level, which is probably why I have more of your songs on my mp3 player than anyone else on SongFight. I guess that makes me a fan! This is a sweet ballad, too (why am I not surprised?), and I adore it lyrically. As with other reviews I'm giving tonight, though, the awkward timing is killing me. As with Elephant Kitties, I'd love to have a copy of this with the issue fixed.
Klownhole
Better late than never! There is absolutely nothing redeeming about this song, which is probably why I like it so much. No apologies, no tact, and no complaints from me. Well, one: sometimes you forget to sing, and your voice loses its...I wanted to say charm, but I think aggression is more accurate.
King Arthur
While hearing the word "vietnam" in a song tends to make me glaze over, this is a cohesive story song and I like the way you delivered it. "Au revoir America" to open the bridge -- the lyric and the delivery -- sealed the deal for me. Drop the swearing at the end, and add more instruments, and this one is a keeper.
Obese Chess
The opening accordion and guitar were so much fun! And then...nothing. Such a shame. If you had taken that accordion and built on top of that riff, I think you'd have had something. Although not lyrically. What do you sound like when you sing?
Berkeley Social Scene
Love the meandering synth, so sweet and endearing. It makes the song for me. Whoever is singing -- is that Ken? -- is singing too high for their range, and I should know, because I do it too often myself. It also goes on too long for my taste (says the guy who only writes songs under two minutes.)
Minty Handy
I bet I would have liked this better if I'd finished it, except that I pushed the Beatles thing way too hard, and now I have learned not to do that, so that's something.
Billy and the Psychotics
If there's one thing I always look forward to, it is your guitar playing. What's breaking my heart is that the timing is so loose across the board, and I just can't get past it. My own shortcoming, really. I like the vocal as much as I like the guitar playing, which is a lot! "The cherry pie" bit didn't live up to the rest of the lyrics.
Juliet's Happy Dagger
There's some kind of fundamental disconnect here between the chords and the vocal melody, it just doesn't quite align, almost like neither of you have a specific melody in mind. Sorry if that sounds harsh. The instruments sound nice, though.
Torrentz
This is what I was trying to describe when I wrote Obese Chess's feedback. It's all pretty terrific, but...but...I guess at the end of the day, you are all having a lot of fun, and it works so well most of the time that it really jumps out in the moments that it doesn't work...that's supposed to be a compliment, I think! Sunny, 10% chance of WTF.
Elephant Kitties
This is, hands down, my favorite song in the fight, and deserves to be the runaway winner. There are only two things I would change: I would have liked it better if I had written it (heh), and I want to pull the male vocal way, way back...not because it's bad -- it isn't -- but because the female lead is the one we want to hear, here. If you had faded the male vocal into the background, so that it supported the female voice instead of joining it, I wouldn't have been surprised to learn this had been produced by Regina Spektor and released by a major label. If you actually take my advice, please send me a copy of the revised recording for my personal music collection.
Johnny Cashpoint
You always sound like you, which is always good news for me. Oddly, though, this recording has really uneven timing, and a beat that's much more plodding and awkward than what I'm used to from you. With timing fixes and some of the downbeat moved to the upbeat, this would have worked better. Ooh la la.
Paco Del Stinko
Tight, well-delivered, great backing vocals in the chorus; the only thing missing here is a hook long enough to hold onto. Oh, oh, oh how I wish the "ooh la la"s were the start of a chorus four times as long! The verses are extremely weak by comparison. But your lyrics make me laugh, and your sincerity is charming. Oddly, the choruses -- which again, I love but wish were much longer -- make me think of "Rock 'n Roll Creation" (Spinal Tap.)
Hostess Mostess
If I could change my voice to sound like anyone I could, it would be to sound like yours. There's something about the quality of your voice that always satisfies on some deep level, which is probably why I have more of your songs on my mp3 player than anyone else on SongFight. I guess that makes me a fan! This is a sweet ballad, too (why am I not surprised?), and I adore it lyrically. As with other reviews I'm giving tonight, though, the awkward timing is killing me. As with Elephant Kitties, I'd love to have a copy of this with the issue fixed.
Klownhole
Better late than never! There is absolutely nothing redeeming about this song, which is probably why I like it so much. No apologies, no tact, and no complaints from me. Well, one: sometimes you forget to sing, and your voice loses its...I wanted to say charm, but I think aggression is more accurate.