Nur Ein V Round Zero "Time to Panic"

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Billy's Little Trip
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Re: Nur Ein V: Round Zero

Post by Billy's Little Trip »

Spud wrote:Nilly's Little Trip (sic)
Lame count-in knocked you down a peg in my book. At least it wasn't right at the beginning. Did you graft that extra intro on just so it wouldn't be? Also I like that you twisted the title a bit with the "start to panic" line, and I guess the first person immediacy implies that it's time. Could be stronger, but eh, it doesn't matter, because it's all about the hook. I CAN"T FIGHT THIS FEELING ANY MORE! The words may not be so original, but you make them your own with the delivery. Excellent rock anthem feeling. VOTE.
Lol, I noticed I named my song Nilly's, last night. Whoa nilly!

The shmoozy intro was actually for a lead in with some talking to the "audiance" kind of thing, saying something about this being the kick off for Nur Ein V, bla bla bla. At the last minute I decided it was too cheesy and took it out. I wanted to give it a live feel to give the count in more purpose. Thanks for the review, Spud.

Tidbit: the grandfather clock sound in the intro was an accident. I hang my guitars on the wall and I had my harmonica in the headgear hanging on the hook I hang my electric guitar on. As it rocked back and forth, it hit the back of my guitar neck while my guitar was plugged in. It recorded, it sounded like a clock, the title had time in it, so I kept it in, lol.

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Re: Nur Ein V: Round Zero

Post by Niveous »

Jon Eric wins Round Zero. You don't win anything, except the knowledge that the judges dig what you're doing.

90 Jon Eric
80 Milo Dunderville
79 Berkeley Social Scene
78 Minty Handy
71 Adam Adamant
71 Therman
66 Chris Cogott
64 Johnny Cashpoint
62 Billy's Little Trip
59 Boop Boop
49 Sid Denison
48 Who Fly
47 DJ Ranger Den
44 Emperor Gum
44 Noah McLaughlin
40 The Real Sign
39 Same Day Positive
36 Naked Philosophy
35 Brodeur/Gliniecki
32 Rabid Garfunkel
21 Wages
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Re: Nur Ein V: Round Zero

Post by wages »

Niveous wrote:Jon Eric wins Round Zero. You don't win anything, except the knowledge that the judges dig what you're doing.

90 Jon Eric
80 Milo Dunderville
79 Berkeley Social Scene
78 Minty Handy
71 Adam Adamant
71 Therman
66 Chris Cogott
64 Johnny Cashpoint
62 Billy's Little Trip
59 Boop Boop
49 Sid Denison
48 Who Fly
47 DJ Ranger Den
44 Emperor Gum
44 Noah McLaughlin
40 The Real Sign
39 Same Day Positive
36 Naked Philosophy
35 Brodeur/Gliniecki
32 Rabid Garfunkel
21 Wages
Yaaa! I got the lowest score! Look out Tiger, I've got you by the tail. Oh wait, this isn't golf, is it? Damn. :(

I think I've got a co-conspirator to help with the rest of Nur Ein. I just couldn't get to his studio last week to make my entry better. We'll see what we can pull out of our asses tonight!
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Re: Nur Ein V: Round Zero

Post by MintyHandy »

90 Jon Eric
80 Milo Dunderville
79 Berkeley Social Scene
78 Minty Handy
71 Adam Adamant
71 Therman
66 Chris Cogott
64 Johnny Cashpoint
62 Billy's Little Trip
59 Boop Boop
49 Sid Denison
48 Who Fly
47 DJ Ranger Den
44 Emperor Gum
44 Noah McLaughlin
40 The Real Sign
39 Same Day Positive
36 Naked Philosophy
35 Brodeur/Gliniecki
32 Rabid Garfunkel
21 Wages
I'm honestly shocked to be in such good company up high, and so far away from a lot of other terrific entries down low. I feel like a mistake has been made.

But don't recount, please.
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Re: Nur Ein V: Round Zero

Post by JonPorobil »

Huh??

Thanks, judges!
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Re: Nur Ein V: Round Zero

Post by frankie big face »

Generic wrote:Huh??

Thanks, judges!
The funny thing, Jon, is not one of us ranked you first! (Not that your song wasn't worthy of the highest score--it was in my top five, I think.) In fact, the rankings were so drastically different that I'm actually beginning to understand just how fucked up the voting is for this thing. It's actually quite difficult to rank this many entries in such a short period of time.

My only regret is not ranking Boop Boop higher because it's the song with the most staying power for me. For what it's worth, Milo Dunderville took top honors from me with Minty Handy second. They were the clear winners in my eyes and everything that followed could be different if I had another listen or two.
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Re: Nur Ein V: Round Zero

Post by JonPorobil »

Reviewses.


Adam Adamant - I wish that first high drone formed something even remotely resembling a harmony with the bass. Sounds like you're a bit too close to the mic on those vocals. I'm hearing some proximity boominess. There's an interesting flow in the lyrics here. Clever take on it, historically. I feel like you could give the line "And it was done" a bit more gravitas. You practically swallow it. This song has some great potential, but man, that lead synth is annoying as the dickens, and the vocals have some issues, too. Shame about that. I think this might be my favorite Adam Adamant song. So far, anyway.

Berkeley Social Scene - I would have liked to have heard a verse with a more defined melody. The harmonies are a little loud when they first come in, like Ken just ran in forty seconds late and is trying to get in on the performance. Oops. This is well-produced and well-performed, but it doesn't really stand out to me. Nice ebow soloing. I do like the chromatic rising in the chorus which builds tension, i.e. panic, but if it were my song, I wouldn't have ended on that chromatic falling. I suppose there are some people who'd have been left twitching if the tension hadn't been resolved, but oh well.

Billy's Little Trip - Nice sudden build-in. The mix is raw, dirty, and in my face. The vocals are maybe a bit too high. There's something that doesn't feel quite right about the lead vocal. Like it's missing something. Mixing vocals has always been one of my weak points, so I sympathize. Good song and all, but I wish you'd used the challenge better. Oh well, it's not like you'll be eliminated. See ya next round!

Boop Boop - Whoa. I like the retro keyboard beat. The robot vocals are nearly indecipherable, so thank you for posting lyrics. The human vocals are annoying. The sample of the baby just makes me want to turn the song off. I like the ending, at least. It builds to this triumphant sounding moment, and the lead synth helps take it there, but man, was it a hard trek getting that far.

Brodour & Gliniecki - By the end of the first verse, it became obvious that no other instruments were going to join in. Shame about that, as this intro seemed to beg for the rest of the band to join in. Lyrically this kind of belabors the point. Ten seconds in, you're defusing a bomb and panicking. Two minutes in, the only difference is that you're evacuating people instead of defusing the bomb. But you haven't really said much about what's going on. And that's a shame, as I felt like this had a it more potential than the bomb-defusing song that preceded it.

(By the way... Hello, NSA watchlist! How are you today!)

Chris Cogott - Dang, dude! Nice harmonies. Good, crisp guitar tone. There's something Weird-Al-ish about that "1, 2, 3, 4, 5 / You're still heeeeeeeeerre!!!!" bit. Nice triple-guitar solo. This normally isn't my genre, but I'm digging it. "My heart explodes / full of fear" is kind of a lame line. In fact, lyrically, this mostly fails to hit the mark, but only because you spend too much time establishing how you feel about the addressee, but not enough time establishing why, or, relatedly, who the addressee is. Get those straightened out, and this'd be a home run.

DJ Ranger Den - The lyrics that don't drown in reverb aren't really impressing me. This is all about ambiance and feel, so I have to assume that either 1.) You have no idea what you're doing, or 2.) The vocals clash with what the piano is doing on purpose, to somehow emphasize the lyrical point, perhaps. I can't figure it out. I did hear four or five separate examples of counting on different things, so kudos on that. But it just sounds like the lyrics were kind of stream-of-consciousness with no real purpose or narrative. And if that were the case, then again, why the discordance?

Emperor Gum - Is that a real voice? I can't tell (probably because it's speaking German) whether it's a sample or a text-to-speech program. Did I hear the word "Texas" in there? The narrative implied in here is compelling, and clashes compellingly with the organic music in the background. I'm taken out of the mood, however, when you actually start singing yourself. It was compellingly eerie until then. The vocals could have been better if they had been recorded with a better mic, or recorded farther from said mic, or if they had been mixed lower in the track... but honestly, I still think it would have been a better song if there had been no singing at all. Now, I don't say that too often.

Johnny Cashpoint - Interesting use of the challenge. I wish you'd focus a little more on making your lyrics scan better. I'm not asking for perfect prosody - I doubt it would fit with this style anyway - but a lot of the time it feels like you're just rambling. I like the panic/planet half-rhyme, and the quick turnarond - "There will be plenty of time to panic before we die." Also, whatever you're doing to record that uke, keep it up. Sounds nice and crisp. I'm looking forward to hearing your next few entries.

Jon Eric - This was the song that won? Who's judging this thing, anyway? :P

Milo Dunderville - Nice groove. I like the use of the counting, too. The lead guitar sounds a little cheap, but other than that, this song is the real deal. I feel bad for beating it. In fact, aside from the lead guitar tone, I like everything about this. Keep it up, dude.

Minty Handy - Jumpin' Jack Flash? Nice use of cheap-sounding instruments to form a nice groove. The lyrics have some clever bits, and it feels nice how they all fit in the rhythm and rhyme without sounding forced. Nonetheless, I sort of wish they formed a cleverer buildup. For instance, The Mountain Goats have a song called "Cubs in Five," where he lists a series of impossible predictions, culminating in the payoff: "...and I will love you again / I will love you / like I used to." It's on Youtube, I think. Check it out. I was kind of hoping your lyrics would have a similar "gotcha" moment. Still, great work. Incidentally, did I hear counting?

Naked Philosophy - Did you play the drums on a keyboard? They feel oddly off at some points. Nice straightforward rock groove. Like some of the other rockin' songs above, I wish this one were clearer lyrically. Who's bombing what, and why? There's a sour note in the chorus "the rockets are on their way-ay," that just sounds like it needed some more rehearsal. That might also be the source of my other concerns too. The world may never know.

Noah McLaughlin - Wow, melodramatic. Nice use of the word "counting," in addition to the actual counting. Your voice needs to be mixed a little higher, or otherwise stand out from the mix a little. I'm missing what I think might be key stretches of lyrics. So I'm hearing a narrative that flirts with some big themes, but the specifics are eluding me. I'm not sure why, but I like ending with the ringing phone. Makes it feel ominous, somewhat elegiac.

Rabid Garfunkel - Hey, this doesn't sound like "Turkish Prison." :P Just kidding. The percussion adds a real sense of foreboding to this song. Right around the "Taxman/Census" bit, I feel like you're losing your grasp of your melody, and maybe it's intentional, but it feels sloppy. This is making me physically uncomfortable to listen to. That was probably the point, so good job.

Same Day Positive - I made a click track of my own voice on a song that had a lot of time-sig changes once. It didn't work as well as this. But then again, I never planned on keeping my voice in the final take of that one. This is pretty good. The groove is kind of addictive once it gets started. Something about the guitar reminds me of Simon & Garfunkel. The voice is a little naked up front there, but oh well. Hey, in that middle bit, does the counting-out-loud fall out of sync with the song? Very interesting. It sounds like the mix kind of falls apart around there, what with your voice getting louder and more melodramatic, and that barking dog... And then the sudden shift to a more low-key ending. Hmm.

Sid Denison - Man, that first line melody just makes me think of Sanford and Son. Obviously, it goes somewhere else, somewhere arguably more interesting. I like what the melody does, and it'll probably wind up under my skin before too long. Still, the chorus doesn't feel as creative, and the song suffers for that. Singing out "1,2,3,4, Time to Panic, 1,2,3,4 Time to Panic" makes me feel like you're just checking the requirements off the list. I like what you did near the end with the count to eight.

Therman - Man, it sucks to be the only guy in the mix who knows how to master. I had to turn my speakers way down to listen to this. Heh. The verses are a little boring, imo, but the middle eight is pretty good. Your performances on every instrument are completely fluent, as always. I wonder if maybe there's not a little too much time spent on instrumental interludes in this track, though. Lyrically... I dunno. I think political songs tend to work better when they're couched a bit more abstractly. And especially, to hear a guy that I know is Canadian talking about the fueding Republicans and Democrats just rubs me the wrong way. Still, you might just be on your way to another run at the title.

The Real Sign - Is it my speakers? Even the people who are good at mixing have been mixing the vocals too low. I feel like Realist might be enunciating too much, too. But I can't help the way you talk, and I've gotten away with it, too. In the chorus, the help notes in the vocal melody are a nice contrast to the busy guitar riffing. The use of counting just might be the most creative in the fight. Looking at the final rankings, I feel like this one should be much higher on the list. The lyrics actually have something of a point to them, and the production value is high. Keep it up; maybe the judges will come around!

Wages - Ouch, dude. This isn't great, but I wouldn't have put it at last place. Oh well. Your vocals have been getting better and better the more you record. I remember when a typical Wages song was pretty much just amelodic wailing. Oh well. I don't have much criticism for this that you haven't heard a thousand times before. It's underproduced. Aside from the rock attitude making this feel like an unfinished demo, the guitar isn't particularly well-recorded either. Is that a direct-line? Ovation, or something? If it's an acoustic, maybe try putting the mic closing to the middle of the neck, or closer to the bottom of the sounding board? Too many unknowns for me to give you much concrete advice. I'd be down to collaborate sometime, though. :)

Who Fly - Another entry that I feel placed upsettingly low. Your stuff is always high-quality. The vocals need to be a little higher; I'm straining to hear the lyrics in the verses. Your "panic/plan-for-it" line doesn't come off as endearingly as J$'s "Panic/Planet" rhyme from above. Around 1:50, there's a time shift that's a little awkward rhythmically. Still. This is a really ambitious track. Maybe the most ambitious this week? I like the way all the synths fit together. I liked this a lot. Might just keep it. See you next week!
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Re: Nur Ein V: Round Zero

Post by Caravan Ray »

As usual - the judges got it all completely wrong. Again.

This is how I would have ranked them:

1 Boop Boop
2 Adam Adamant
3 Milo Dunderville
4 Chris Cogott
5 Therman
6 Jon Eric
7 Who Fly
8 DJ Ranger Den
9 Minty Handy
10 Noah McLaughlin
11 Naked Philosophy
12 Wages
13 Billy's Little Trip
14 Rabid Garfunkel
15 Johnny Cashpoint
16 Berkeley Social Scene
17 Brodeur/Gliniecki
18 The Real Sign
19 Same Day Positive
20 Emperor Gum

Sid Denison is glad there were no eliminations. He thinks he would have been towards the bottom of that list.

Milo Dunderville - great song! Sounds like it could have come from a Paul Kelly and the Coloured Girls album. (If you are not aware of Mr Kelly - I suggest you look him up, arguably the greatest Australian songwriter of all time - http://www.youtube.com/watch?v=E7mjgKCy ... re=related)

And finally, to take an early stab at the rabbit and place the kiss of death - based on current form and assuming he has the ticker to last the distance - I am seeing very short odds on Chris Cogott being the last man standing in this whole shebang.
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Re: Nur Ein V: Round Zero

Post by Reist »

Generic wrote:And especially, to hear a guy that I know is Canadian talking about the fueding Republicans and Democrats just rubs me the wrong way.
I'm a little flabbergasted by that comment. Care to elaborate?
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Re: Nur Ein V: Round Zero

Post by Ross »

OK, if spud can admit he's gay......oh, wait, that's not what he meant, huh?

Ok, here are some "reviews." I'm just one judge, but I tried to structure tham as to what worked and did not work for me, incase that comes into play in future rounds. I am already missing being a participant, having fun writing and keep bringing A games

Nur Ein!

AA - What I liked: the song topic, basic delivery style, interesting layers in the backing track
What I didn’t like: vocals a bit too subdued, lyrics not “poetic” enough - sounded kind of like a high school project, some of the sounds a bit too unintegrated into the sound for me
Challenge: worked fine for the style of the song, a bit overemphasized in the production

BSS - What I liked: Chord changes, song structure, nice playing/performance/production
What I didn’t like: didn’t sound very panicky (smoothness contradicts lyrics), a few of the guitar lines and lyrical lines seemed forced or awkward
Challenge: worked in fine, I thought it would relate to the count to ten line, kind of wish it had, or at least been a count from ten

BLT - What I liked: The hook, the rockin’ guitars, the instrumental bridge to the bridge
What I didn’t like: the vocal, guitar interplay in the “Verse”
Challenge: seriously, man you could do better than that

Boop - What I liked: Fun spirit, willingness to go with simple sounds, the celebration
What I didn’t like: the “may name’s....” parts, overly simple song composition, feeling I was listening to a commercial for a video game
Challenge: went fine with the song concept

Chris Cogott - What I liked: tight harmony vocals, ambiguity of lyrics, playing/performance/production, Fi-i-i-i-ive, “You’re still here” overall energy
What I didn’t like: finding out it was a bout a spider in the car (took away from lyrical ambiguity, lyrics less interesting on repeated listens
Challenge : simple count, but well connected to song concept

DJ Ranger Den - What I liked: Risk taking, vocal quality, interesting mix of instrument sounds
What I didn’t like: Lyrics, overly atmosphere-based, I got a little bored
Challenge: seemed slapped in

Emperor Gum - What I liked: Clarinet duo, interesting foreign voice
What I didn’t like: it took WAY to long to get to the song proper, vocal production on sung part
Challenge: I like the way it occurs twice and the sung version is not a straight count

J$ - What I liked: Building uke/vocal arrangement, bagging on the 2012 people
What I didn’t like: seemed a little forced-not like a song that would have been written without the challenge, and what exactly is an “ass hippy”, abrupt ending
Challenge: honestly - I don’t think the recitation of numbers s the same as counting, but I could tell you tried

JE - What I liked: “1, 2, 10” great bit, unfolding lyric - for a while there I thought it was about suicide” nice overall feel and song structure (bridge), V of V
What I didn’t like: the yelling at the end of the choruses, your vocals sound far away


B$D - What I liked: how you unfolded your bomb idea (this was a common theme for this title/challenge combo.
What I didn’t like: If you continue with these whispered vocals you will quickly lose favor with this judge - open your mouth and frickin’ sing, the chorus chord changes are weak and passive
Challenge: I like how you incorporated this into the basic structure of your lyrics, the ending version did not do much for me

Milo - What I liked: The well fleshed out lyrics that create a believable scenario and characters, chorus the supports the title, lead vocal delivery, song structure
What I didn’t like: Static arrangement
Challenge: Well incorporated into the lyrics

MH - What I liked: lyrical concept, vocal delivery
What I didn’t like: stiff instrumentation, wish it had gone farther bringing the lyric concept home - maybe a bridge that ties it together better, I don’t like song self references better, too brief in structure
Challenge: Kind of slapped in, it seemed like.

Naked Philosophy - What I liked: Post Punk sensibilities in musical style, guitar duo solo, song theme
What I didn’t like: too loose, monotonous arrangement
Challenge: ok, but somewhat slapped in

Noah - What I liked: heartfelt theme, simple musical approach to emotional topic
What I didn’t like: inaccurate vocals - pitch wise, quite grim overall, overlong, about the only thing this grim I can sit through is the Lou Reed “Magic and Loss” album
Challenge: why the counting? not sure, but it’s there. I like the “counting on me,” line, though

Rabid: What I like: drums, I think I get what you were going for
What I didn’t like: vocals seem quite week compared to all the strength in this track, I don’t feel like you got what you were going for, develops too slow in some spots
Challenge: interesting how you have it spread out, (too spread out?)


SDP - What I liked: Coming out of the break, some of the sounds, the barking dog
What I didn’t like: didn’t seem to be about anything, a bit long
Challenge :I like the way you did this, making the counting a part of the overall groove, but choosing a complex time signature to do it with


Sid et.al. - What I liked: song theme - universal irrational paranoia, the build up of the groove, reminds me of some other songfighter, but I can’t think who ;-), three dimensionality of character
What I didn’t like: counting stuff was bit too manic, the spoken word bits, I think the bridge is weak
Challenge: fine

the Real sign: What I liked: RAWK
What I didn’t like: the Chorus, the buried and harsh vocals, spoken word bit
Challenge: weak but there, creative idea

Therman: What I liked: Color changes and interesting harmonic ideas, key/guitar layering, social commentary theme
What I didn’t like: self-consciously cool, chorus lyrics feel labored, some ther lyrics a little clumsy, too
Challenge: fine, but not too incorporated

Wages: - What I liked: Sounds like you mean it, some of the picking bits
What I didn’t like: inaccurate vocals (in Nur Ein, you’ll have get a grip on this if you want to get very far), guitar sound (see note on inaccurate vocals), performed in an idiom it doesn’t sound composed for - if you can only record solo-acoustic, compose with that in mind (I feel I can safely give this advice), sloppy picking for solo-acoustic piece, overly emotive ending vocals
Challenge: worked it in fine

Who fly - What I liked: groove-ey chorus, backing vocal aesthetic, vocal delivery and lyrical cadence
What I didn’t like: too long and a bit un-focussed feeling
Challenge: buried?
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Re: Nur Ein V: Round Zero

Post by Billy's Little Trip »

Ross wrote: BLT - Challenge: seriously, man you could do better than that
But I'm a rebel, that would completely be giving in. :(

....by the way, thanks for the review. :wink:

NUR EIN
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Re: Nur Ein V: Round Zero

Post by Billy's Little Trip »

Generic wrote: Billy's Little Trip - Nice sudden build-in. The mix is raw, dirty, and in my face. The vocals are maybe a bit too high. There's something that doesn't feel quite right about the lead vocal. Like it's missing something. Mixing vocals has always been one of my weak points, so I sympathize. Good song and all, but I wish you'd used the challenge better. Oh well, it's not like you'll be eliminated. See ya next round!
Yeah, I need to appease "the man" and work the challenge better, I get it. Our lives are all about lists and rule. (dripping with sarcasm)
But yeah, I'm getting used to my stupid condenser mic. I don't think I like it. :(
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Re: Nur Ein V: Round Zero

Post by Caravan Ray »

Reist wrote:
Generic wrote:And especially, to hear a guy that I know is Canadian talking about the fueding Republicans and Democrats just rubs me the wrong way.
I'm a little flabbergasted by that comment. Care to elaborate?
I don't know what J-E is on about there either - but I seemed to have the exact opposite problem with your lyrics to Jon

He wrote:
Lyrically... I dunno. I think political songs tend to work better when they're couched a bit more abstractly.

I found your lyrics a bit too abstract and much prefer political songs to be completely unambigous. I think the line "cause anarchists bow down to other anarchists" bothered me the most. Why would anarchists bow down to other anarchists? Who are the anarchists you are referring to?

Unless of course you are actually referring to something specific which is beyond my comprehension because I am not Canadian/North American. That is fine. I know a lot of my songs in the past have been completely indecipherable to everybody except Sausage Boy and Denyer.
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Re: Nur Ein V: Round Zero

Post by Lunkhead »

frankie big face wrote:... I'm actually beginning to understand just how fucked up the voting is for this thing ...
Took you long enough! ;)
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Re: Nur Ein V: Round Zero

Post by Caravan Ray »

Do we get to see the individual Judges rankings?

I want to see if Judge 4 is a complete bastard again. He usually is.
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Re: Nur Ein V: Round Zero

Post by j$ »

Ross wrote:J$ - what exactly is an “ass hippy”
What, Americans don't use the term 'crazy-ass'? So where did we get that awful spelling from, then? :)
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Re: Nur Ein V: Round Zero

Post by Ross »

j$ wrote:
Ross wrote:J$ - what exactly is an “ass hippy”
What, Americans don't use the term 'crazy-ass'? So where did we get that awful spelling from, then? :)
It's not the words, it's the inflection. something about the way you deliver the line makes it sound not like "crazy-ass hippies" but like "Crazy ass-hippies" Not a big deal at all, I just thought it was funny, but I knew what you were saying.
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Re: Nur Ein V: Round Zero

Post by j$ »

Ross wrote:
j$ wrote:
Ross wrote:J$ - what exactly is an “ass hippy”
What, Americans don't use the term 'crazy-ass'? So where did we get that awful spelling from, then? :)
It's not the words, it's the inflection. something about the way you deliver the line makes it sound not like "crazy-ass hippies" but like "Crazy ass-hippies" Not a big deal at all, I just thought it was funny, but I knew what you were saying.
It is quite funny, I guess, and if there isn't a definition for 'ass-hippy' on urbandictionary yet, there will be shortly :)
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Re: Nur Ein V: Round Zero

Post by ujnhunter »

You might want to post a link to the songs on the first post of this thread... it took me awhile to figure out what page (4, I think...) had the link to the songs.
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Re: Nur Ein V: Round Zero

Post by jb »

21 Time to Panic by Johnny Cashpoint
20 Time to Panic by Jon Eric
19 Time to Panic by Boop Boop
18 Time to Panic by Berkeley Social Scene
17 Time to Panic by Therman
16 Time to Panic by Milo Dunderville
15 Time to Panic by Who Fly
14 Time to Panic by Adam Adamant
13 Time to Panic by Minty Handy
12 Time to Panic by Emporer Gum
11 Time to Panic by Billy's Little Trip
10 Time to Panic by Chris Cogott
9 Time to Panic by Rabid Garfunkel
8 Time to Panic by Brodeur & Gliniecki
7 Time to Panic by Wages
6 Time to Panic by Sid Denison
5 Time to Panic by Naked Philosophy
4 Time to Panic by Same Day Positive
3 Time to Panic by Noah McLaughlin
2 Time to Panic by DJ Ranger Den
1 Time to Panic by The Real Sign
blippity blop ya don’t stop heyyyyyyyyy
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Re: Nur Ein V: Round Zero

Post by signboy »

huh. one of the judges is indeed a complete bastard. :P
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Re: Nur Ein V: Round Zero

Post by Caravan Ray »

Caravan Ray wrote:Do we get to see the individual Judges rankings?

I want to see if Judge 4 is a complete bastard again. He usually is.
Looks like Judge 5 is this years cocksucker.
http://songfight.net/forums/viewtopic.php?f=26&t=7345
I'm watchin' you Judge 5 (and yeah - I'm doing those creepy two fingers to the eyes things that Robert De Niro does)
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