(I Wish I Were) Oversleeping Reviews
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- Somebody Get Me A Doctor
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On first listen - I may elaborate and refine later:
[GOOD]
15-16 Puzzle
State Shirt
Hostess Mostess
DJ Snyder et al
Papercut Brigade
Produce
All Onion Diet
[OK]
Those Meddling Kids
Melvin
Ross Durand
Doscientos
RattPoizen
PiGPEN
Johnny Cashpoint
Glenn Case
[BAD]
Truth & Regret
Kevn Griffing
Cara Bray
DJ Dick
Klownhole
Vote currently looks like going to HoMo.
[GOOD]
15-16 Puzzle
State Shirt
Hostess Mostess
DJ Snyder et al
Papercut Brigade
Produce
All Onion Diet
[OK]
Those Meddling Kids
Melvin
Ross Durand
Doscientos
RattPoizen
PiGPEN
Johnny Cashpoint
Glenn Case
[BAD]
Truth & Regret
Kevn Griffing
Cara Bray
DJ Dick
Klownhole
Vote currently looks like going to HoMo.
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- Ain't Talkin' 'Bout Love
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I'm a big fan of BoC (both bands). but, i never saw the fake stuff: do you have a link for a torrent or anything?ephedream wrote:That sounds like some of the fake BoC that was getting' around prerelease. Well not the rap stuff.
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- erik
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Some thoughts:
All Onion Diet: This is the catchiest song of the fight. I'm not too fond of the arrangement. I mean, it's okay but I would like to hear a version that's slower, with less instruments and less hiphop drums. I think this would translate really well to a stripped down version. The descending melody line on "two oversleeping fools" wouldn't feel rushed, and you could really stretch into it and sell it. I think this melody really suits your voice well. This is a good song.
Doscientos: Hmmmm, I should like this song more that I do. It starts off pretty good. But then like 3/4 of the way through the verse, it just takes the easy way out and turns into a 1-4-5ish thing. Same thing with the bridge: cool start and then it kind of takes the easy way out and just finishes up so that it can move on the next part. Cool feel to the song, and good dynamics throughout. I like this song.
Glenn Case: Sleepiest sounding song, in that weird way that time slows down when you are trying to get in a catnap, like you close your eyes for 5 minutes and then it's 2 hours later. Like, the song sounds relaxing and slow, but fast at the same time. The song is all very nice and Glenncasey, and then the second part comes in-- it seems very unGlenncasey and is a very unexpected direction to turn the song in. I think the bridge really makes the song for me. Nice.
HostessMostess: From the very first notes of this song, it really feels like a timebomb that is destined to explode at some point in the song. I kept waiting for it, and I wanted it to just erupt into wailing guitars and feedback at the end. That's my problem, I guess. I like the reserved, slighty tense feel of the song. I reallyreally like the tone of the guitar that comes in on the "isn't our problem" part-- it sounds so flat and thin and just completely awesome. Ohman, yeah, right at 2:48 I get excited everytime, I'm all like "Ohboy, here comes the chaos" but then no. Still, nice song.
Produce: Hmmm, this would probably sound a lot better if it was produced better. Hmmm, the whole thing "I was in a dream" thing that starts off the rap is kind of weak; I thought the whole "Waking like is getting more and more tiring" thing was where it started getting interesting. I'm not going to be playing this like every day or anything, but it's pretty fun.
State Shirt: "All I wanted was to oversleep again" is the best line in the fight. That pretty much sums it up and sells it: that someone would aspire towards what is technically a mistake, just so they can be asleep for longer. Man, this is some sad stuff. Very nice in its sadness. I'll look this one up again when I'm in a mood for some melancholy.
More reviews later on if the weather permits.
All Onion Diet: This is the catchiest song of the fight. I'm not too fond of the arrangement. I mean, it's okay but I would like to hear a version that's slower, with less instruments and less hiphop drums. I think this would translate really well to a stripped down version. The descending melody line on "two oversleeping fools" wouldn't feel rushed, and you could really stretch into it and sell it. I think this melody really suits your voice well. This is a good song.
Doscientos: Hmmmm, I should like this song more that I do. It starts off pretty good. But then like 3/4 of the way through the verse, it just takes the easy way out and turns into a 1-4-5ish thing. Same thing with the bridge: cool start and then it kind of takes the easy way out and just finishes up so that it can move on the next part. Cool feel to the song, and good dynamics throughout. I like this song.
Glenn Case: Sleepiest sounding song, in that weird way that time slows down when you are trying to get in a catnap, like you close your eyes for 5 minutes and then it's 2 hours later. Like, the song sounds relaxing and slow, but fast at the same time. The song is all very nice and Glenncasey, and then the second part comes in-- it seems very unGlenncasey and is a very unexpected direction to turn the song in. I think the bridge really makes the song for me. Nice.
HostessMostess: From the very first notes of this song, it really feels like a timebomb that is destined to explode at some point in the song. I kept waiting for it, and I wanted it to just erupt into wailing guitars and feedback at the end. That's my problem, I guess. I like the reserved, slighty tense feel of the song. I reallyreally like the tone of the guitar that comes in on the "isn't our problem" part-- it sounds so flat and thin and just completely awesome. Ohman, yeah, right at 2:48 I get excited everytime, I'm all like "Ohboy, here comes the chaos" but then no. Still, nice song.
Produce: Hmmm, this would probably sound a lot better if it was produced better. Hmmm, the whole thing "I was in a dream" thing that starts off the rap is kind of weak; I thought the whole "Waking like is getting more and more tiring" thing was where it started getting interesting. I'm not going to be playing this like every day or anything, but it's pretty fun.
State Shirt: "All I wanted was to oversleep again" is the best line in the fight. That pretty much sums it up and sells it: that someone would aspire towards what is technically a mistake, just so they can be asleep for longer. Man, this is some sad stuff. Very nice in its sadness. I'll look this one up again when I'm in a mood for some melancholy.
More reviews later on if the weather permits.
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- Ain't Talkin' 'Bout Love
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no..i turfed it when I piced up the cd. What do youm ean by bth bands?Liechty wrote:I'm a big fan of BoC (both bands). but, i never saw the fake stuff: do you have a link for a torrent or anything?ephedream wrote:That sounds like some of the fake BoC that was getting' around prerelease. Well not the rap stuff.
pump it up!
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- Somebody Get Me A Doctor
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Re-visitingCaravanray wrote: [GOOD]
15-16 Puzzle
State Shirt
Hostess Mostess
DJ Snyder et al
Papercut Brigade
Produce
All Onion Diet
15-16: Great song, and I really like the arrangement. Unfortunately I find your accent a bit harsh to really enjoy it - but that's just a personal thing.
STATESHIRT: Great sound on this recording. Simple is hard to do well
HOSTESSMOSTESS: I liked this best first time through - had some nice vocal melody bits. Second listen didn't impress me as much - but still a good song
DJ SNYDER ET AL: Nice driving bass thing - good sound all through - enjoyable
PAPERCUTBRIGADE: This is cool in a Byrds-y sort of way. Nicely sloppy. I like it.
PRODUCE: This starts off great - but the rapping lets it down a bit. I like your delivery - I think its the lyrics that kill it for me
ALLONIONDIET: Is this Deshead? Very professional sounding effort. Good song - really nice melody. This gets better every time I hear it.
JOHNNY CASHPOINT: I've upgraded you from "OK" - but only just. Far from my favourite J$ song - it just sounds a bit dull and uninteresting by comparison to your other stuff - but it is still better than most here.
After further listens - I will vote for the Onion people - though papercut brigade is a very close second
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- Somebody Get Me A Doctor
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Those Meddling Kids - great instrumental. I like it - but it dosen't say the title to meCaravanray wrote: [OK]
Those Meddling Kids
Melvin
Ross Durand
Doscientos
RattPoizen
PiGPEN
Johnny Cashpoint
Glenn Case
Melvin - nothing you do is bad - but this is the song of yours that I have enjoyed least. Does nothing for me
Ross Durand: Nice background strings - and some nice strong vocals. I probably should give this [good] - but I have a bit of mellow overload in this fight
Doscientos - you must be an awsome live band. This isn't your best effort though
RattPoizen - this has some good moments - not enough though. The rockin' sounds a bit too Midi-y
PiGPEN - I don't like your vocals here (and I usually do like your vocals)
Glenn Case - Very good. Like Ross D, you only miss out on [good] classification because Stateshirt and HoMo took up the 2 available 'good guytar' spots
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- Somebody Get Me A Doctor
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[BAD]
Ok - I'll finish it off:
Truth & Regret: Music not very interesting - vocals off key
Kevn Griffing: Instumental - and not a very interesting one
Cara Bray: There is a lot that is good about this - but it doesn't work together as a song. I like the faster bit at the end - but then even that goes for too long
DJ Dick: Bad
Klownhole: Not bad - I just don't like it
Ok - I'll finish it off:
Truth & Regret: Music not very interesting - vocals off key
Kevn Griffing: Instumental - and not a very interesting one
Cara Bray: There is a lot that is good about this - but it doesn't work together as a song. I like the faster bit at the end - but then even that goes for too long
DJ Dick: Bad
Klownhole: Not bad - I just don't like it
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- Bjam
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That's at least a dozen plainly recognizable different accents then, and dozens of tiny regional accents.PiGPEN wrote:Why pages? Very very simple...Caravanray wrote:What exactly is a British accent? (I bet StueyM could write pages on this )
The British accent is any accent born of and distinctly associated with Britain.
Songfighter since back in the day.
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That sounds like a challenge, but I will restrain myself (a little).Caravanray wrote:What exactly is a British accent? (I bet StueyM could write pages on this )
Suffice to say that when I worked as the manager of an ophthalmic hospital in Wolverhampton I quickly learned there is a clear distinction between a "Black country accent" (Area to North and West of Birmingham) and a Brummy Accent (areas in the city of Birmingham). What amazed me was that the nurses could tell within the Black country which town some one was from just by their accent and turn of phrase. This could come down to differentiating between villages that were barely 5 miles apart.
Almost every region of UK has that narrow a range of differentiations to the trained ear which is amazing given the general homogenization of cultures generally. But to most overseas visitors the nuances would be less obvious.
"You know, I rather like this God fellow. Very theatrical, you know. Pestilence here, a plague there. Omnipotence ... gotta get me some of that."
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hey thanks man . I admit that a title connection to any instrumental track is tenuous, and that maybe I was a bit lazy for not writing lyrics. I just thought with this track that there wasn't really any room in the piece for a vocal line so why clutter it.Caravanray wrote:Those Meddling Kids - great instrumental. I like it - but it doesn't say the title to me
- jeff robertson
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It takes a bit of work for a southern US redneck to tell the difference between England (all parts of it), Australia, New Zealand, South Africa, ??. The only non-American english "accents" we can recognize are Scottish and Irish. The rest are all "British".PiGPEN wrote:Why pages? Very very simple...Caravanray wrote:What exactly is a British accent? (I bet StueyM could write pages on this )
The British accent is any accent born of and distinctly associated with Britain.
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There's a difference between Scottish and Irish?jeff robertson wrote:It takes a bit of work for a southern US redneck to tell the difference between England (all parts of it), Australia, New Zealand, South Africa, ??. The only non-American english "accents" we can recognize are Scottish and Irish. The rest are all "British".PiGPEN wrote:Why pages? Very very simple...Caravanray wrote:What exactly is a British accent? (I bet StueyM could write pages on this )
The British accent is any accent born of and distinctly associated with Britain.
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If I ever start to sound like a South African or a New Zealander - please kill me.jeff robertson wrote:It takes a bit of work for a southern US redneck to tell the difference between England (all parts of it), Australia, New Zealand, South Africa, ??. The only non-American english "accents" we can recognize are Scottish and Irish. The rest are all "British".PiGPEN wrote:Why pages? Very very simple...Caravanray wrote:What exactly is a British accent? (I bet StueyM could write pages on this )
The British accent is any accent born of and distinctly associated with Britain.